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1. |
Zr3a
19:21
|
CDR Tokyo, Japan
eMail :
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supported by 4 fans who also own “2018.2.5”
spectacular album full of talent. i lov the speed and abrasive noise in this so fucking much, it’s stellar! i especially enjoy how each track is so different from each other, cuz it really shows each artist’s distinct music style. and the way this album doesn’t shy away from being so incomprehensible is ♥️♥️♥️
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supported by 4 fans who also own “2018.2.5”
Thank you for the parental advisory! Much appreciated. Like to play this with at work, my coworkers just don’t get it though, stares and confrontations galore………. make more good albums!! ASAP!
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supported by 4 fans who also own “2018.2.5”
at first i didn't know what to think of this album since it had a very unorthodox start. i can't say i'm much of a fan of the noise parts of this, but i really loved the more upbeat rave segments since they made me so hype and full of happiness <3 so it could be said that the album does a real good job when it comes to the contrasting atmospheres, since Sar7 did an excellent job with creating a more aggressive tone compared to Sugar's more happy-go-lucky approach
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A beautifully haunting record from ARIGTO with atmospheric drones that shapeshift constantly.
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Violent Violins Exposed
by Babak Ahteshamipour
Academic electronic music that slaps.
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The Sound of Stone
by Maro Kariya
Experimental electronic soundscapes steeped in dystopian themes; environmental and societal anxieties vented through industrial and techno.
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supported by 4 fans who also own “2018.2.5”
absolutely no favorites on this album. i love it. this is a beautiful concept album about 2 girls' love for each other beautifully illustrated with hip-hop beats consisting of your usual drums, gorgeous backing ambience, and cute samples sprinkled throughout. i don't understand Japanese, but it really felt like i was hearing bits and portions of scattered conversations that really adds to this album's aesthetic. would love to hear more like this from Lost Frog
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